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Inon Barnatan, Piano
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Inon Barnatan Pianist “A player of uncommon sensitivity” – Alex Ross, New Yorker   Hailed as “a true poet of the keyboard, refined, searching [and] unfailingly communicative” ( Evening Standard , London), the pianist Inon Barnatan has been named as the New York Philharmonic’s first Artist in Association, a major three-season appointment highlighted by multiple concerto and chamb...
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Announcement
Pianist Inon Barnatan has been named the New York Philharmonic’s first Artist-in-Association, a position that will highlight him over several consecutive seasons
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Schubert: Sonata for Piano in A major, D 959 N/A
Composer: Franz Schubert
Recording Date: Fri 19 Oct 2012
I - Allegro (0:48) N/A
II - Andantino (0:56) N/A
III - Scherzo: Allegro vivace (0:44) N/A
IV - Rondo: Allegretto (0:55) N/A
Schubert: Sonata for Piano in C minor, D 958 N/A
I - Allegro (1:01) N/A
II - Adagio (1:06) N/A
III - Menuetto: Allegro (0:34) N/A
IV - Allegro (1:06) N/A
Schubert: Sonata for Piano in B flat major, D 960 N/A
Composer: Franz Schubert
Recording Date: Wed 14 Sep 2005
I - Molto moderato (1:17) N/A
II - Andante sostenuto (1:19) N/A
III - Scherzo: Allegro vivace con delicatezza (0:53) N/A
IV - Allegro ma non troppo (1:23) N/A
Chopin: Nocturne for Piano in E minor, Op. 72 no 1
Nocturne No.19 in E minor, Op. Posth. 72, No.1 (4:18) N/A
Schubert: Impromptus (4) for Piano, D 899/Op. 90
Composer: Franz Schubert
Recording Date: Sun 21 Oct 2012
III - Impromptu no 3 in G flat major (0:58) N/A
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PretoriaSouthAfrica
PretoriaSouthAfrica 2:53 PM - 26 Nov 2012 | Applause: 1
That is the guy that spoke to you at the Linder Auditorium on 17 November. Drew your attention to the Ronald Stevenson masterpiece 'Passacaglia on DSCH' completed at University of Cape Town in the 1960's. Also discussed the Thomas Ades 'Darkness Visible' in your repertoire.I have your Avie recording. The Schubert D595 I found particularly moving - recalled listening to it with my late wife - you inadvertantly pressed some precious buttons. I hope to see you again in RSA.
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