Violinist Giora Schmidt is quickly establishing himself as a virtuoso of the grand tradition with a distinctive voice. His performances are illuminated by a richness of color and effortless technique making Giora one of the most commanding young artists on the stage today.

He has appeared with numerous symphony orchestras around the globe including Cleveland, Philadelphia, Chicago, Detroit, New Jersey, Fort Worth, Honolulu, San Diego, Vancouver, Toronto, National Symphony Orchestra of Cuba, Orquesta Filarmónica de la UNAM (Mexico City), Orquesta Sinfonica de Chile, Sendai Philharmonic and the Israel Philharmonic. In 2003, he made his Carnegie Hall debut performing the Barber Violin Concerto with the New York Youth Symphony.

In recital and chamber music, Giora has performed at Carnegie Hall, the Kennedy Center, and made important debuts at the Metropolitan Museum in New York, the Ravinia Rising Stars series in Chicago, San Francisco Performances, the Louvre Museum in Paris, and Tokyo's Musashino Cultural Hall. He is a regular guest at the Santa Fe Chamber Music Festival and has collaborated with eminent musicians including Yefim Bronfman, Itzhak Perlman, Pinchas Zukerman, Lynn Harrell, Ralph Kirshbaum and Michael Tree.

Born in Philadelphia in 1983 to professional musicians from Israel, Giora began playing the violin at the age of four. He has studied under Patinka Kopec and Pinchas Zukerman at the Manhattan School of Music, and Dorothy DeLay and Itzhak Perlman at The Juilliard School. Committed to sharing his passion for music, Giora regularly seeks out new ways of reaching young violinists through technology and social media.

Giora was the First Prize winner of the Philadelphia Orchestra's Greenfield Competition in 2000, the recipient of a 2003 Avery Fisher Career Grant, and in 2005 won the Classical Recording Foundation's Samuel Sanders Award. His second solo album, Live from Miami, was released in May 2010 and is currently available on iTunes and Amazon.

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"High on individuality, Schmidt's rendition of the great violin showpiece was impossible to resist, captivating with lyricism, tonal warmth, and boundless enthusiasm. Where so many performances are carbon copies, this one was his alone."
-Cleveland Plain Dealer

" acutely focused, gleaming sound that recalls Perlman in his prime. Schmidt also possesses a daunting technical arsenal and sailed through the bravura passages of the outer movements with remarkably even articulation at a rapid tempo, without breaking a sweat."
-The Miami Herald

"His thick, vibrato-rich sound and sure self-possession suggested a player at least a generation older."
-Forth Worth Star Telegram

"The Moto Perpetuo finale went out in a blaze of glory leaving no doubt that Schmidt's got major-league chops."
-Detroit Free Press

"Schmidt made this most familiar of concerti sound fresh, almost improvisatory, as if the music had never been heard before."